Showing posts with label Balanchine. Show all posts
Showing posts with label Balanchine. Show all posts

Tuesday, April 12, 2011

Six Degrees of Cole Porter

By Claire Willett

Cole Porter

“Six Degrees of Separation” is a statistical theory model which suggests that every human being on earth is connected to every other human being on earth through no more than six other people. That is beyond the scope of this undertaking, so we’re going to stick with its far-less-weighty spinoff, the pop-culture parlor game “Six Degrees of Kevin Bacon,” which adapts this model to suggest that any Hollywood actor can be connected to movie star Kevin Bacon through no more than six movies. Bacon, a true Renaissance man (actor, director, musician, writer, producer) is a prolific Hollywood workhorse with over 70 movies to his name, in many different genres, which means has amassed a staggering array of celebrity co-stars, which is why the game works.

Kevin Bacon in Footloose

You may be skeptical. “Sure, it would work with Rob Lowe or Demi Moore,” you say, “but what about someone like, say, Orson Welles?”

Orson Welles

Easy! Orson Welles was in the original Casino Royale with Ursula Andress who was in Clash of the Titans with Laurence Olivier who was in Dracula with Frank Langella who was in Frost/Nixon with Kevin Bacon. BACON SCORE = 4.

Kevin Bacon is all well and good, but if we want to talk about the ultimate Renaissance man we must go back to singer/songwriter/pianist/musical theatre composer/social butterfly Cole Porter, who seemed to know every even remotely famous person in the first half of the 20th century. The hottest silver screen stars sang and danced in his films and Broadway shows; celebrity composers and artists hung out at his lavish cocktail parties. He defined an entire era with his witty lyrics and champagne-sparkling melodies, and the reverberations of his impact on popular music and culture are still felt today. Was there anyone worth knowing in 1920’s Paris that Cole Porter never shared a drink with? Not by my reckoning. In honor of our upcoming Cole Porter-themed ballet “Eyes On You,” I’d like to test that theory with a little game called “Six Degrees of Cole Porter.” Stop scrolling as you make your guesses - the solution is right below the image.  (If you figure out a way to get there in fewer moves, post it in the comments.)

Ready? Let’s play!








6 MOVES: Black Swan star Natalie Portman 

Natalie Portman in Black Swan







**NATALIE PORTMAN SOLUTION**

Natalie Portman was in Closer with Julia Roberts who was in Ocean’s Eleven with Elliott Gould who was in The Muppet Movie with James Coburn who was in Charade with Cary Grant who was in The Philadelphia Story with Jimmy Stewart who was in Born To Dance with a score by Cole Porter.




5 MOVES: Film and Musical Theatre Actor Hugh Jackman 

Hugh Jackman






**HUGH JACKMAN SOLUTION**


Hugh Jackman did voice-over work for Happy Feet with Robin Williams who was in Dead Poet’s Society with Robert Sean Leonard who stars on House with Hugh Laurie who was in Jeeves and Wooster written by PG Wodehouse who wrote the book to Anything Goes with Cole Porter.




4 MOVES: First Lady Eleanor Roosevelt

First Lady Eleanor Roosevelt






**ELEANOR ROOSEVELT SOLUTION**
 
Eleanor Roosevelt was married to Franklin Delano Roosevelt who was succeeded in the Oval Office by Harry Truman whose Secretary of State was Dean Acheson who was roommates at Harvard Law School with Cole Porter.





3 MOVES: Fashion Designer Coco Chanel 

Coco Chanel





**COCO CHANEL SOLUTION**
 
Coco Chanel had an affair with Igor Stravinsky who composed Firebird for the Ballets Russe who were once hired to perform at an extravagant private ball in Venice by Cole Porter.





2 MOVES: Who’s the Boss star Tony Danza 

Tony Danza






**TONY DANZA SOLUTION**
 
Tony Danza was in the Laughing With the Presidents TV special with Bob Hope who was in Red, Hot and Blue written by Cole Porter.




1 MOVE: Fred Astaire 

Fred Astaire









**FRED ASTAIRE SOLUTION**

Fred Astaire starred in Gay Divorce written by Cole Porter.


Want to take a stab at it? Try connecting Cole Porter and OBT Artistic Director Christopher Stowell. Yes, it can be done, we’ve tested it! The first person who posts a comment below doing it in the fewest number of moves by April 15th (feel free to be creative!) will win a pair of tickets to Song & Dance. Post your ideas below in the comments!

Thursday, March 24, 2011

Your Daily Dance Break: Square Dance, the Lawrence Welk Version

We'll be presenting Balanchine's idea of a Square Dance as part of our Song & Dance program in April. So we thought you might enjoy a peek at traditional square dance (as interpreted by the dancers on the Lawrence Welk Show in 1968)



Did you learn square dancing in P.E. as a kid?

Balanchine's First Square Dance Caller

Gents go ‘round, come right back,
Make your feet go wickety-wack . . .


Crackerjack square dance caller Elisha Keeler was profiled in The New York Times and The New Yorker in 1957. Next thing you know, George Balanchine was making a new dance to the music of Baroque composers, prancing his City Ballet dancers through all kinds of stage geometry. He named it “Square Dance,” and invited Keeler to “call” it.

Keeler had only been to the ballet once in his life. He watched rehearsals, and with the help of his wife and kids, wrote the calls. “We asked him to say anything he wanted, as long as he didn’t use ballet terms,” said Balanchine.

Keeler was a colorful character, a horticulturist in his day job, famous for his way with African violets. He played piano, banjo, cello, trombone and harmonica, and his daddy was a caller before him. His family band—wife Lois on accordion, daughter Mollie on fiddle and son Kenny on banjo and trombone—often accompanied Keeler’s dances. They were known as the Happy Humdingers. Keeler made singing radio commercials too.

Keeler “sang” “Square Dance” every time it was performed at New York City Ballet from its premiere in 1957 through 1964. He called at over 2,600 festivals and conventions over his long life, but his family said “being part of the ballet was probably the high point of his calling career.” Wrote Time Magazine, “. . . when Keeler had twanged out his last call ("That is all; the dance is ended/ The music is finished; the caller's winded''), audiences cheered the blend of do-si-do and pas de deux.” Keeler passed away in 2005, at the age of 98.

Oregonians have a rare opportunity to see “Square Dance” its original form with OBT’s performances. Balanchine revised the ballet in 1976, and dropped the caller from the scenario.


(Photo: Portland violinist, composer and actor Tylor Neist will reprise Elisha Keeler’s role in the OBT performance of "Square Dance," part of the Song & Dance program playing in the Newmark in April)

Photo Above: Elisha Crofut Keeler, circa 1955


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Friday, January 21, 2011

5 Fun Facts About Igor Stravinsky


Facts compliments of Maestro DePonte


1. At one point, Stravinsky lived in a Swiss hotel, but wouldn't compose there unless he was sure no one could hear him - which was rare. Later, a dealer set him up with a piano which was kept in a combination lumber storage-chicken coop. In the coop/lumber yard he composed some of his most famous works.






2. Stravinsky was romantically linked to Coco Chanel - a relationship that's explored in the 2009 film Coco Chanel & Igor Stravinsky. (Inspired title, right?)




3. Stravinsky was known for ruthlessly promoting his music in order to support his lavish lifestyle. One of his triumphs was the inclusion of Rite of Spring in Walt Disney's Fantasia. He also composed a commissioned work for dancing elephants which eventually become George Balanchine's Circus Polka. Stravinsky was able to negotiate a high commission from the circus for his composition.

Bonus actual Balanchine/Stravinsky elephant conversation transcript:

Balanchine: "I wonder if you'd like to do a little ballet with me."
Stravinsky: "For whom?"
Balanchine: "For some elephants."
Stravinsky: "How old?"
Balanchine: "Very young."
Stravinsky: "All right. If they are very young elephants, I will do it."


4. The audience protest at the 1913 premiere of The Rite of Spring was so loud that neither the dancers nor the audience could properly hear the music.



5. Towards the end of his life, Stravinsky became especially fond of the game Scrabble. Bonus question: How many points is "Stravinsky" worth?




Get all the Stravinsky you can handle at OBT's
The Stravinsky Project opening February 26th.

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